March/April 2019

A Refugee Crisis 0
- March/April 2019
- March 1, 2019
Worldwide, there are currently more than 65 million refugees or people displaced in their own countries.The reasons vary—persecution, war and conflict, and weather.Climate change is becoming an important factor undermining traditional agricultural pursuits and driving people from the global south to seek a new life in the north. Here in North America we are not
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Moral Outrage 0
- March/April 2019
- March 1, 2019
It was a horrific tale of cruelty and abuse that ended in the death of a 7-year-old boy. His offense: not knowing all of 13 Bible verses! National and international media groaned out the sordid details of how last year a Wisconsin couple, Timothy and Tina Hauschultz and another son, 15-year-old Damian, meted out the
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Courting Disaster 0
- March/April 2019
- March 1, 2019
Americans are inclined to take for granted their country’s reputation as a beacon of religious freedom for all people. After all, the modern concept of religious freedom arguably originated in America and has spread outward to the rest of the developed world. Our religious freedom has given our country an enviable wealth of religious and
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It looked kind of regal resting there by our privacy fence. The owner had done an amazing job of restoring it to its former glory. He’d overhauled the engine, replaced broken parts, and given it a beautiful paint job reflective of its original colors and design. I’d always thought old tractors look powerful and efficient,

The Beginning of Connecticut’s Blue Laws 0

A great deal has been said and written pro and con about Connecticut’s “blue laws.” We have just made a thorough investigation of the early records setting forth the statutes as enacted by the original colonies, and we shall publish from time to time these statutes as they really existed in the records. . .

That Good Night 0

In 1968 a small-time movie producer named George Romero filmed a horror flick in rural Pennsylvania. He spent about $114,000, low budget even back then.Besides using unknown actors, Romero shot the film in 35-millimeter black-and-white. And, for special effects, the crew poured Bosco Chocolate Syrup over the actor’s bodies.That was supposed to be blood. The

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